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OK影视为您提供1950年由达纳·安德鲁斯 吉恩·蒂尔尼 加里·梅里尔 主演,奥托·普雷明格 导演的《铁牛金刚》/原名《Where the Sidewalk Ends》/又名《陷井》电影在线观看,《铁牛金刚》百度云网盘资源以及《铁牛金刚》高清mp4迅雷下载,《铁牛金刚》BT下载,希望您能喜欢!
Cop Mark Dixon is already in trouble with his superiors for his brutal tactics w
Plot Summary:Det. Sgt. Mark Dixon always wanted to be something his old man wasn't: a guy on the right side of the law. But for a good guy, he's awfully vicious. After several complaints over his roughing people up, his boss, Insp. Nicholas Foley, demotes him. Foley tells him he's a good man, but needs to get his head on straight and be more like Det. Lt. Thomas, who has just gotten a promotion. Meanwhile, Tommy Scalise has an illegal dice game going and is looking to make a sucker out of the rich Ted Morrison, who was brought in by Ken Paine and his beautiful wife Morgan. She figures out too late her husband is using her as a decoy. Paine strikes her when she refuses to play along. The chivalrous Morrison intervenes but Paine knocks him out cold. That seems to be the worst of it, but later it turns out the guy is dead; and Paine looks guilty. Soon Dixon has fallen in love with Morgan - but not before losing his temper again and committing a terrible deed that he tries to cover up. Morgan's father, a tale-spinning taxi driver, may take the rap for it. It's up to Dixon to try to pin the blame on Scalise.
资源名称 | 类型 | 大小 | 下载 |
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Where.the.Sidewalk.Ends.1950.REMASTERED.BRRip.XviD | 1.15GB | 下载 | |
Where The Sidewalk Ends 1950 | 6.56GB | 下载 | |
Where The Sidewalk Ends 1950 AAC MP4-Mobile | 599.4MB | 下载 | |
Where The Sidewalk Ends (1950) DVDRip (SiRiUs sHaR | 699.84MB | 下载 | |
Where the Sidewalk Ends (1950) Dana Andrews Eng | 914.47 MB | 下载 |
达纳·安德鲁斯确实更适合这种沉默、冷硬、受尽委屈后一脸倔强的角色,在沦落和底线上辗转挣扎,最后坚守道德的原则。结尾伟光正得令人心动!
随机再补了一部Otto Preminger执导的老黑色电影,就是这个中文译名怎么看都跟原版片名毫无联系可言...不知道怎么翻译的。剧本很有趣:一个误杀了嫌疑人、脾气比较古怪且暴烈的差人如何一边自保、一边破案的故事。整个故事从结构到具体的叙事节奏把控以及演员的人物塑造都足够出彩(男女主刚好都是导演另一部黑色电影《罗拉秘史》的主演,在这部里又重逢了233)。此外,气氛营造和此类类型片的悬疑感也是本片做得较好的地方,就是结局居然如此正能量倒是我没想到的。完全可以再黑一点。这个结局,不知道的会不会以为是某种“特供结局”呢233...四星整。
刚开始就让男主陷入困境,剧作真是高明。上一次有这种感觉,还是《惊魂记》
他想做一个“好警察”,但是没那个命,于是只能做一个受尽委屈的“好人”。
必须纠正的是,黑色电影的“黑”重点不在于情节或走向的阴暗难测,它真正的魅力在于人心的辗转,一种对人的意志的催化或消磨,结局光明与否不太重要。普雷明格似乎坚信,他的主角必将在持续的阴霾中重生,所以他拍瞬时的旦夕,也必将拍出永恒的脸庞(特写)。【1950十佳No.8】
第一幕简直和后一年《危险边缘》的一模一样。警察犯案又掩盖很有新意,观众既然已知道真相那么重点就是警察心理转变动机是否充分:爱情属于莫名其妙,父亲阴影老弗洛伊德了,只有道德感强不想让无辜者替罪这条说得过去。而且结尾执意拆信塑造伟光正人物弘扬正能量目的太明显,二十年后《对一个不容怀疑的公民的调查》直接讽刺警察系统和拆解精神分析,还是意大利人玩得花。