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OK影视为您提供1988年由大卫·霍克尼 主演,菲利普·哈斯 导演的《与中国皇帝的大运河一日游,或曰表面即错觉而深度亦然》/原名《A Day on the Grand Canal with the Emperor of China or: Surface Is Illusion But So Is Depth》电影在线观看,《与中国皇帝的大运河一日游,或曰表面即错觉而深度亦然》百度云网盘资源以及《与中国皇帝的大运河一日游,或曰表面即错觉而深度亦然》高清mp4迅雷下载,《与中国皇帝的大运河一日游,或曰表面即错觉而深度亦然》BT下载,希望您能喜欢!
《康熙南巡图》,这幅著名的中国卷轴画描绘了康熙皇帝在1689年第二次访问他的南方帝国。这幅画是由王翚(1632-1717)和他的助手们创作的。霍克尼将这幅画卷更
Plot Summary:This famous Chinese scroll painting traces the Emperor Kangxi's second tour of his southern empire in 1689. Painted by Wang Hui (1632-1717) and assistants, it was executed before Western perspective was introduced into Chinese art. Hockney contrasts the more fluid spatial depictions of this scroll with a later scroll painted by Xu Yang and assistants, The Qianlong Emperor's Southern Inspection Tour (1764-1770), scroll four. This scroll illustrates the same tour, but now taken by the Qianlong emperor, grandson of the Kangxi emperor. Influenced by Western perspective, the Qianlong scroll presents the emperor in a single tableau, whereas the Kangxi scroll depicts a continuous travel narrative filled with details of daily life in the towns and countryside along the route. Reference is also made to the use of perspective in Capriccio: Plaza San Marco Looking South and West (1763) by Italian painter Canaletto (1697-1768).Director Philip Haas (Angels and Insects and Up at the Villa), and ...
没有edge和充满humane的自由 绘画与军事技术的关系很有趣 大卫讲的很high 跟着看也过瘾
霍克尼本人的可爱程度和《康熙南巡图》的存在主义美学视角敞开程度不相上下
透视比例什么的,大师一说我都信了。中式审美方式的解说 https://www.bilibili.com/video/av56394027
Who can resist David Hockney!!! 如果把vanishing point视作infinity/god,那么《南巡图》中的ver-perspective即让神降临于万物与移步换景之中。从透视角度管窥世界观,学AH还是需要很多很多很多的悟性啊。。。
看得十分感动。从马后探出头伸长脖子看皇帝的官员,藏在树后的和尚,避开热闹坐在船上闲聊的老头,处处都充溢着人性本身的乐趣和力量。尽管画卷本身是 imperial commission, 画中的每个人都有自己和环境、和他人互动的方式,人的动作是自然自发的,并不完全受权威所控。喜欢David Hockney对多点视角的总结: god is everywhere including within you. 人观察空间的方式和军事技术发展之间的联系也很有启发。
第一节课screening看这个 有趣 卷轴一定程度上没有edge 可以自己控制edge 感觉很酷🌝